Arrival, the film adaption of the novella Story of Your Life by Ted Chiang, has been recognised as one of the most intelligent sci-fi films of recent years, as concerned with helping us see our own world anew as with what might exist beyond it.
It is especially poignant, perhaps, that Denis Villeneuve’s movie was released only days after a bitter US Presidential race, whose outcome was only the most shocking upset of a year that has exposed seemingly irresolvable political and cultural divisions. For essentially it is a story about the possibility of communication, of bridging the abysmal gulfs that stop us talking to each other.
An alien civilisation visits Earth, their opaque, ovoid spacecraft – monumental structures recalling 2001’s monoliths – materialising one day at various locations across the world: the Indian Ocean, the Siberian tundra, the plains of Montana – twelve in all. Their portals hover a few metres from the ground, inviting entry.